What is the main objective when it comes to lighting? Have a beautiful light, warm, intense but soft enough, not to weary eyes and enhances the environment in a soft and engaging. Achieve this sounds easy but is not so. To realize just look at the lighting in our house and houses that usually hang out or pay attention to the lighting of public spaces that are part of our daily appointments (bars, restaurants, shops and banks). No need to be an expert you will find that often something is not right: there are rays of light almost blinding, leaving equipment shielded or unshielded bad at all, there are fixtures that diffuse glow cold and gloomy, that bring sadness, or there are spotlights that give off a heat very annoying, as if they were apparatus for heating and not for illumination. And then, especially in homes rather than in public spaces, it is not uncommon to come across light sources distributed in an irrational, ineffective in.
If, as is confirmed by studies and research impeccable, the quality of light is able to contribute to the quality of life, to make us feel good or indisporci, representing an important ingredient of our physical well-being, because then the lamps are often chosen randomly or according to criteria very little lighting and aesthetic? Behold, here is the crux of the matter. "Making light and make furniture" is one of many leitmotif that accompanied the birth of the modern home, the daughter of rationalism and stylistic research and technological who clocked the second half of the last century. Leitmotif, however sacred, if it is true that the house should be read as a synopsis of our aesthetic sensibility and perception, with lighting that helps you in terms of not marginal. Only that, in time, "shed light and make furniture" has become increasingly less and less to make furniture and lighting and lamps have become more and more "beautiful light shapes", ie real ornaments, and less "light sources appropriate."
Fortunately, things are changing: the word "light" is now often combined with the adjective "intelligent", which in itself could also be a combination suspect, now that the specification has become like parsley and is coupled to all with too much ease. But in this case the combination it seems relevant, because the manufacturers have realized that the future of the lighting industry is played on a growing attention to the luminous efficiency of the devices, in order to ensure that the maximum of well being that it is said, and also because the lamps more current, for which it is in place effective - and finally "convinced" - collaboration between designers and lighting, are able to respond confacentemente to specific lighting requirements, connected with the various rooms of the house rather than with the various operating conditions of public spaces. In the house, in particular, this means providing a service appropriate for each of the required functions: how to light an environment in diffuse and indirect, such as working correctly at your desk or on the computer, how to make the best walls, bookcases, cabinets, collections' art, and so forth.
